How Grimms’ Fairy Tales can lead to even grimmer fairy tales

It’s amazing what you find out about yourself when someone slips you a few searching questions.  I loved doing this interview with fellow (if a little, ahem, younger) university graduate and writer Amna Boheim http://akboheim.com/newnhamwrites-never-ever-underestimate-a-child/.  Who knew that early exposure to toadstools, matryoshka-red-fly-agaric-mushroom-mushrooms-forestgingerbread houses and angry kings could set you on the path to Hell and pacts with demons?  I mean, they could have led to botany, cookery and, oh, I don’t know, the Wars of the Roses.

But in my case they didn’t.

 

 

pexels-photo-185360Discover more about the tangled roots of Ante’s Inferno and The Tragickall History of Henry Fowst on Amna’s blog:

http://akboheim.com/newnhamwrites-never-ever-underestimate-a-child/ 

Banbury Literary Live – a magical festival

with-family

What a terrific audience for my talk on The Tragickall History of Henry Fowst at Banbury Literary Live on Sunday!

There were 4 other talks going on at the same time, including one on a children’s story about football, so with that competition I’d have been happy if only a handful of people had turned up to mine. To my delight, a good couple of dozen adults and children were intrigued enough by the sound of Elizabethan magic and demons to plump for me. Yesss!

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John Dee’s crystal ball. British museum.

No demons/spells/charms/crystal balls actually appeared – apart from in the slides, that is – but the audience’s keenness and knowledge, especially in the case of some of the younger members, with-girlimpressed me no end. Some very perceptive questions – again, coming mainly from those under 13 – got a fascinating discussion going on magic, legends, Dr Dee and the craft of writing in general. Ah, and Ante’s Inferno got a look in too.

Thank you, Banbury Literary Live, for having me to your thoroughly enjoyable literary festival.

3 FREE copies of The Tragickall History of Henry Fowst

My children’s book, The Tragickall History of Henry Fowst (FINALIST in the People’s Book Prize) was released a year ago this month.  To celebrate, I’m running a giveaway on Goodreads beginning TODAY.  Enter here for your chance to win one of THREE free copies.  All I ask is that if you do win a copy, once you’ve finished feverishly turning the pages, you would find a moment to post a review on Goodreads and Amazon.  THANK you kind readers.

So who won? Find out tonight!

Well, folks, today’s the day…. the winners of the People’s Book Prize 2016 will be announced at Stationers’ Hall, London, tonight.  As one of 12 finalists in the Children’s category, I am looking forward to this evening with much excitement and a good dollop of nail-biting.  Thank you all you wonderful people who sent in your votes.  The wait will be over SOOOOOON.

Here’s a lovely article that appeared in Saturday 9 July Oxford Mail.

 

 

The People’s Book Prize – Spring Collection – Children – “The Tragickall History of Henry Fowst” By Griselda Heppel

The Tragickall History of Henry Fowst By Griselda Heppel

Published by Matador ISBN 9781784623043   The Tragickall History of Henry Fowst COVERSpring 2016

The Tragickall History of Henry Fowst has reached the FINALS of the People’s Book Prize. Follow the link below to read more and VOTE!  The winner of each category is decided entirely by public vote so it’s up to you. Closing date: 10 July.

Thank you!

Synopsis:  In the shadows of Walton Hall a demon lurks. His name: Mephistopheles. In 1586,…

Source: The People’s Book Prize – Spring Collection – Children – “The Tragickall History of Henry Fowst” By Griselda Heppel

The Very Model of a Modern Self-Publishing Conference

Well, I hoped to learn a few things…  but the amount of useful information I took away hugely exceeded all expectations. If you want a model of an intelligently put together, well-run, stimulating conference, with something to offer everyone no matter how new or, er, not-so-new to the writing business, this year’s Self-Publishing Conference at Leicester on Saturday 7 May was it.

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Caroline Sanderson

Keynote speaker Caroline Sanderson, Associate Editor of the Bookseller, set the tone. Self-publishing was no longer the poor relation of traditional publishing; instead, it’s producing books of top literary, design and production values. Of the titles that have caught her eye she showed us 8 self-published ones, in a range of genres, whose striking cover designs match the high quality of their contents, all of which deserved as much recognition as the best of books produced by more traditional methods. Her enthusiasm was echoed by Professor Alison Baverstock of Kingston University in the plenary session later in the day, whose research into the effect self-publishing has had on the book market in the UK has led to some fascinating results.

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Alison Baverstock

In particular, Alison demolished that old, tired slander: ‘self-publishing is publishing without an editor.’ On the contrary, her researches show that authors independently seeking critiques and other editorial services have opened up a whole new area of employment to delighted freelance editors, no longer solely dependent on traditional publishing companies.

Arranged around these two addresses were four individual sessions to choose from and that’s where the difficulty started. How to select from the several talks on different aspects of writing, editing, designing and promoting offered for each session? At least my first choice presented no problem: I’ve long wanted to know about audiobooks and the chance of an hour’s instruction from James Peak, owner of Essential Music, was too good to miss. He did a brilliant job – with a kind of engaging scattiness – of describing the process, including tips on how to save money by reading your book yourself – gulp. I filled four pages of notes.

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Excellent bookshop!

Then came the Historical Fiction session, and – gulpissimo – my first ever experience of speaking at a conference, rather than just making notes and eating cake. Luckily a maximum of 5 minutes was expected from me and the panel audience listened kindly to my dos and don’ts when writing historical fiction for children, agreeing that this was now a sadly neglected genre compared to the great days of Rosemary Sutcliffe, Mary Renault, Roger Lancelyn Green and Henry Treece. Helen Hollick, heading the panel, gave illuminating insights into the historical fiction market for adults, both in the UK and the USA, while Lucienne Boyce’s contribution was a truly awe-inspiring lesson in serious, detailed research, from Real Books In Libraries (away with Wikipedia!) to original magazines, newspapers, site visits and railway timetables.

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With Helen Hollick and Lucienne Boyce on Historical Fiction Panel. Photo: Debbie Young

Two more sessions followed lunch (which included macaroons!* Bliss).
Mike Bodnar’s
amusing talk on Self-promotion for Self-publishers provided a wealth of ideas, some standard, some cheerfully quirky, on how to get your books flying off the shelves (actually, trundling steadily would do for me); while Clive Herbert of Nielsen’s explanation of metadata and ISBNs proved much more interesting than you might guess from those rather scary words, and gave information that every author, however published, should know.

In between sessions it was great to mingle with other attendees, eat cake, make new friends and meet lots of lovely Matador people whose names I knew well but who I’d never spoken face to face with before. All in all, congratulations to Troubador for hosting a super conference and looking after us all so well, not least with the many refreshments provided throughout the day, right up to delicious, restorative canapés at the end (wine too but alas I was driving).

And did I mention there was cake?**macaroons1

*The First Rule of the Enid Blyton school of writing: tell them about the food. 

** See note above.

 

10 things I want my readers to know about me…

… as told to Female First.  This wonderful website invited me to make a list and after some scratching of head and counting of fingers (I have ten, which helps the arithmetical aspect no end), I got there.

If you want to know (course you do) what made me become a writer instead of a giraffe

Sunset-Free-Giraffe-Wallpaper
The Tragickall History of Henry Fowst COVER

 

 

 

 

and find out about the inspiration behind my books, go to http://www.femalefirst.co.uk/books/the-tragickall-history-of-henry-fowst-griselda-heppel-902169.html

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